Only a flawless stone is a good stone.
Natural jadeite is rarely flawless. A piece described as perfect is either exceptional and priced as such, or not what it claims to be.
Natural jadeite carries evidence of its own history. Some of it is structural, most of it is cosmetic, and a small amount is human. This page names each mark plainly, so a report card feels less like a warning and more like a language.
Only a flawless stone is a good stone.
Natural jadeite is rarely flawless. A piece described as perfect is either exceptional and priced as such, or not what it claims to be.
Any inclusion means walk away.
Many marks are cosmetic, not structural. Reading them well is how you find character and value.
Every line inside a stone is a crack.
Water lines, healed lines and fissures are three different things. Only the last is a structural concern.
An open break in the stone. A fingernail catches; light passes through the gap.
From geological stress, quarrying, or later impact.
The one trait we treat as structural. On a bangle or a load-bearing point, a fissure is a reason to pass.
A former fissure that minerals have refilled and closed. Visible under light, but the surface is smooth.
Formed during the stone's own history and healed inside the crystal structure.
Structurally stable. We disclose position and depth so you can decide how it reads against the design.
Soft white clouds, flecks or veils inside the stone — the space between hard-jade crystals.
A natural feature of jadeite. Almost every piece carries some.
Not a flaw so much as a fingerprint. Even snow-flake cotton, when evenly distributed, is prized for its atmosphere.
A patch or fleck of a different colour — iron, manganese or chromium sitting inside the matrix.
Trace minerals absorbed during formation.
In the hands of a good carver, a well-placed spot becomes the sun, a leaf, an eye — the source of qiaose巧色 work.
A dark green or black patch of amphibole or chromite, often sitting alongside green colour.
A mineral companion to jadeite's green — the trade phrase is 癣随绿走.
Live xian is read alongside colour and can add character; heavy, bristle-like xian we avoid.
A slow drift of colour and lustre in an unstable stone — yellowing, dulling, drying out.
The risk lives in the crystal structure itself — young, loose material is prone to it.
We only offer old-species material (ice grade and above) precisely to avoid this. Buying jadeite is buying its next thirty years.
Every piece we sell is Class A — natural jadeite whose colour, structure and lustre are its own. Independent laboratory reports accompany every order.
Certificate first.
Read the report before you read the stone. Insist on independent testing.
Structure over surface.
Any fissure on a load-bearing area is a hard no — surface beauty comes after safety.
Read the marks in context.
Position, size and count matter more than presence or absence.
Weigh the whole piece.
Species, colour, texture, translucency and workmanship — a single flaw rarely decides value.
Buy for thirty years.
Old-species material stays. Young material drifts. Choose accordingly.
Natural gemstones carry inclusions, colour variation and texture unique to each formation. Each piece is photographed as it is and its characteristics are listed in the spec sheet.